CHORAL WORKSHOPS
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Welcome to Platinum. Established by Scott Inglis-Kidger and Claire Jaggers as a professional vocal ensemble at the University of Cambridge in 2005, Platinum Consort is now a thriving vocal workshops and coaching business. Inspiring good amateur singers in small groups since 2011, we offer bespoke choral workshops and individual coaching sessions which are highly sought-after. With our exciting repertoire, expert vocal coaching and positive approach, we will enable you to love your voice and experience choral singing like you never have before. |
WHAT'S ON20 MAY RENAISSANCE REQUIEM III 03 JUN RENAISSANCE REQUIEM IV 08 JUN BACH CLUB III - BWV 7, 8 & 9 17 JUN RENAISSANCE REQUIEM V 08 JUL RENAISSANCE REQUIEM VI 13 JUL O FIERY SPIRIT 14 SEP VAUGHAN WILLIAMS MASS IN G MINOR EARLY NIGHTS
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FLAGSHIP WORKSHOPS
O Fiery Spirit: McDowall, Hildegard, Panufnik & Ostler
Saturday 13th July 2019
In this workshop we will celebrate a small selection of choral music written by female composers. Setting the scene is the monodic work O Ignee Spiritus (O Fiery Spirit) by medieval composer and visionary Hildegard von Bingen. Fast-forward approximately 800 years and we have works by established composers Roxanna Panufnik and Cecilia McDowall sitting alongside one by Platinum’s very own Miranda Ostler. Of her setting of W.B. Yeats’ poem Cloths of Heaven, Ostler says "My only self-stipulation was that I wanted a sense of tonal dissonance to be present throughout". Speaking about her ethereal Kyrie after Byrd, Panufnik says "I loved the way that the melody of the first Kyrie eleison almost immediately transposes and capitalised on this harmonically by taking my version through several quite chromatic changes and adding an extra bass voice, thereby extra harmonic potential." McDowall’s triumphant Regina Caeli takes its lead from the plainchant of the same text, with Alleluias abounding between each verse.
Hildegard von Bingen (1098-1179)
O Ignee Spiritus
Cecilia McDowall (b1951)
Regina Caeli
Roxanna Panufnik (b1968)
Kyrie after Byrd
Miranda Ostler (b1993)
Cloths of Heaven
Scott Inglis-Kidger Director
Ghislaine Morgan Associate Director
Saturday 13th July 2019, 10:30-17:00
St Mary's Church, Battersea Church Road
London SW11 3NA
Cost includes break time refreshments. Participants will be provided with a copy of the Ostler and Hildegard von Bingen, but are kindly asked to purchase copies of the McDowall and Panufnik.
By purchasing this workshop you consent to receive information about our future events, by email, and agree to our Terms and Conditions: please see below. In accordance with our Privacy Policy, we will not share your information with any third party.
TENOR 2 SOLD OUT: Tenors please book remaining T1 places.
Ralph Vaughan Williams: Mass in G minor
Saturday 14th September 2019
Ralph Vaughan Williams said "There is no reason why an atheist could not write a good mass", and we are looking forward to exploring his Mass in G Minor, which is an exquisitely spiritual work. Written between 1920 and 1921, this luminous setting of the mass combines elements of plainchant, sixteenth century polyphony, modal harmony (inspired by folk song, and by his contemporary, Debussy) – all mixed together with Vaughan Williams’ own distinctive, piquant, bucolic and uplifting style.
Ralph Vaughan Williams (1872-1958)
Mass in G minor
Scott Inglis-Kidger Director
Ghislaine Morgan Associate Director
Saturday 14th September 2019, 10:30-17:00
St Mary's Church, Battersea Church Road
London SW11 3NA
Cost includes break time refreshments. Participants are kindly asked to purchase their own music.
By purchasing this workshop you consent to receive information about our future events, by email, and agree to our Terms and Conditions: please see below. In accordance with our Privacy Policy, we will not share your information with any third party.
SOPRANO SOLD OUT: Please join the waiting list here
ALTO SOLD OUT: Please join the waiting list here
TENOR 2 SOLD OUT: Tenors please book remaining T1 places.
The Renaissance Algorithm: Byrd, Mouton, Josquin & Tallis
Saturday 16th November 2019
“Computers and Renaissance musicians have at least one thing in common: they can run simple algorithmic processes on fragments of music to create vastly more complex and nuanced musical compositions.” Jaran Feeley.
In this modern age the ‘algorithm’ (an unambiguous set of rules which solves a problem) has a great presence in our lives, from sending a message on our mobile phones, to learning and reading music with midi files and tablet computers. In this workshop, we look at an ancient musical algorithm – the canon – which results in some of the most unexpectedly sublime works of the Renaissance period by Josquin, Mouton and Byrd. We will also create our own complex Renaissance canon as we improvise on Tallis' motet If ye love me.
Josquin des Prez (c1450-1521)
Agnus Dei III from Missa L'homme armé
William Byrd (c1539-1623)
O salutaris hostia
Miserere mihi, Domine
Jean Mouton (c1459-1522)
Ave Maria, gemma virginum
Thomas Tallis (c1505-1585)
If ye love me (recomposed)
Scott Inglis-Kidger Director
Ghislaine Morgan Associate Director
Saturday 16th November 2019, 10:30-17:00
St Mary's Church, Battersea Church Road
London SW11 3NA
Cost includes music and break time refreshments.
By purchasing this workshop you consent to receive information about our future events, by email, and agree to our Terms and Conditions: please see below. In accordance with our Privacy Policy, we will not share your information with any third party.
SOPRANO SOLD OUT: Please join the waiting list here
ALTO SOLD OUT: Please join the waiting list here
TENOR SOLD OUT: Please join the waiting list here
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